汝南景點英文介紹

① 介紹家鄉的景點英文

My hometown is a nice place to live in.It's cool in summer an it's warm in winter.How many pepole hope the weather like it is.My hometown is famous for the __________(填你家鄉的風景名勝這個我不知道你得自己填).People always visit my hometown for it and enjoy themselves."What a beautiful place it is!"I often catch people talk on it like this.________________________________________________________(這里得你自己介紹一下你家鄉那個風景名勝有多麼好玩了)．I hope that more and more people to visit here and welcome to our hometown.胡亂寫的看看幫得上忙不

② 八大關景點介紹（英文）

Colorado is the best embodiment of Qing "red green trees, blue sea, blue sky" characteristics of the scenic area, Colorado is the origin of the band name is the road from the Great Wall of China on the Side of the 10's name (e to the early'20s when the building only eight road So does the mall has been in use). If Zhengyangguan Road, Shanhaiguan Road etc..

Within Colorado, shady trees and colorful flowers, in particular the city of Qing ---- cedar tree is perennial. Mall construction of a centralized Russia, Britain, France, Germany, the United States, Japan, Denmark more than 20 countries architectural styles, "State Building 10000 Expo," said. A variety of architectural styles to make the film on location here as the best option, such as "domestic clean government", "Miao Miao", "on the 13th snare" over 40 films and more than 20 television dramas in this shooting, the pop of MTV would choose the location here, for instance revive Lin Cheung son of "choice" and "separation" in making the mall location.

Stone House spent most famous strip is the most representative of a villa, reportedly in 1932 by a Russian people in this building, is built of granite and cobblestone, the flower named after the stone floor. Stone spent floor of the architectural style is typical of the European-style castle, into the Greek and Roman style, a Gothic-style architecture. Legend Before the KMT chief Dai Li agents have stayed in this, there are people here that Chiang Kai-shek is hard to avoid, etc., after liberation, spent stone floor as the reception of foreign guests premises, is now open.
Stone took the floor next to the 2nd Beach, Ningwu clearance from the beach road entrance into two parts, Eastern locker room before a shade canopies of the CPC Central Committee Political Bureau meeting of the site. In 1957, Chairman Mao Zedong held in Qing to the Politburo meeting, the second in seawater swimming baths found shade canopies facing the sea, the environment quiet and very spacious, therefore proposed that the General Assembly held here, the staff put shade canopies with curtain Wai, held here in the Central Political Bureau. meeting.

Shanhai Pass Road on the 5th of the second meeting of the Japanese invaders ring the occupation of Qing, built in a Japanese-style villa. The building's external walls with green decorative tile, it is especially chic, stone floor, and spend the same, the number of Shanhaiguan Road on the 5th as the Chinese and foreign guests in the hotel where he was staying. In 1957, the then general secretary of the CPC Central Committee and Comrade Deng Xiaoping in Qing attended the Politburo meeting on the group.
Shanhaiguan further along the road towards the west near Shanhaiguan on to the road on the 9th, where the reception guests are mostly foreign heads of state and government leaders, it is the "Qing Diaoyutai," said. Shanhai Pass Road on the 9th of an American architecture, before liberation of the United States Seventh Fleet Commander Kirk, chief of the official residence of the indoor furniture is all American manufacturers, and some are still used.

Qing Diaoyutai one across the street from the Marshall House, Marshal floor is a Japanese-style architecture, but with different Qing Diaoyutai is bold yellow walls of the "Qing style," the Republic of the Marshall 10 with five had stayed over here, it was named after Marshal floor. Legend Cultural Revolution, Jiang Qing period also lived here. Meanwhile, Princess House, Garden Song, Zhu De Villa, villas, etc. justice polymerization is very unique building.

Colorado is coming to Qing TimeTen one of the attractions, with about a morning or most of the day, if there are interested in you from the "scattered" departure brought lunch in the mall beautiful picnic about environment, but should pay attention to sanitation. After lunch can be the first to walk the beach wash-water seaweed (2nd Beaches normally not open), so as not only to save a hotel only to find that a waste of time, but not the hotel attractions slaughter. Volunteer to be 26, 31, etc. by bus to the "Wusheng Road of" alight.

中文：八大關是最能體現青島「紅瓦綠樹、碧海藍天」特點的風景區，八大關的由來是因這一帶的路名是由中國長城上的十個關隘的名字組成（由於二十年代時初建時只有八條路所以八大關的叫法一直沿用至今）。如正陽關路、山海關路等等。

八大關內樹木成蔭，繁花似錦，尤其是青島的市樹----雪松更是四季常青。八大關內的建築集中了俄、英、法、德、美、日、丹麥等20多個國家建築風格，有「萬國建築博覽會」之稱。風格多樣的建築使這里成為電影外景的最佳選擇，如《家務清官》、《苗苗》、《13號魔窟》等40多部電影和20多部電視劇都在此拍攝，現在的很多歌星的MTV外景也選在這里，比如葉倩文、林子祥的《選擇》、《重逢》就是在八大關拍的外景。

花石樓是八大關中最著名也是最有代表性的一棟別墅，據說是1932年由一位俄羅斯人在此修建，由於是用花崗岩和鵝卵石建成，故得名花石樓。花石樓的建築風格是典型的歐洲古堡式，又融入了希臘式和羅馬式的風格，也有哥特式的建築特色。相傳解放前國民黨特務頭子戴笠曾在此住過，也有老百姓說蔣介石也在此避過難等等，解放後，花石樓成為接待中外貴賓的館舍,現已對外開放。

花石樓的旁邊是第二海水浴場，浴場由寧武關路入口處分為東西兩部分，東區更衣室前有一個涼棚，是中共中央政治局會議的舊址。1957年，毛澤東主席來青島主持召開中央政治局會議，在第二海水浴場游泳時發現這個涼棚面向大海、環境清靜而且十分寬敞，於是提議大會在這里召開，工作人員便把涼棚用竹簾圍起來，在這里召開了中央政治局會議。

山海關路5號是日寇第二次佔領青島期間，在這里建的一座日本式別墅。該建築外牆用綠色的釉面磚裝飾，顯得格外別致，與花石樓一樣，解放後, 山海關路5號成為了中外賓客的下榻的賓館。1957年，時任中共中央總書記的鄧小平同志在青島參加中央政治局會議時就在此下榻。

沿山海關路再向西走不遠就到了山海關路9號，這里接待的賓客大都是外國的國家元首和政府領導人，因此有「青島釣魚台」之稱。山海關路9號是一幢美式建築，解放前是美國第七艦隊司令柯克上將的官邸，室內的傢具全部是美國製造，有的現在還在使用。

與青島釣魚台一街之隔的是元帥樓，元帥樓也是一幢日式建築，但與青島釣魚台不同的卻是紅瓦黃牆的「青島風格」，由於共和國的十大元帥中有五位曾在這里下榻過，故得名元帥樓。相傳文革時期江青也在這里住過。另外，公主樓、宋家花園、朱德別墅、義聚合別墅等等也是十分有特色的建築。

八大關是來青島必看的景點之一，用時大約一上午或大半天，如果有興趣的話可以從您的「下榻處」出發時帶上午餐在八大關優美的環境里野餐一下，不過要注意保持環境衛生。吃完中飯可步行去第一海水浴場洗個海澡（第二海水浴場平時不開放），這樣不僅省去了到處找飯店浪費時間，而且不會景點的飯店宰。去八大關可以乘26、31等公交車到「武勝關路」下車。

以上就是我的回答，還有中文翻譯哦～

③ 急求一篇中國旅遊景點的英文介紹

介紹嘉興的
Jiaxing has abundant culture relics and tourism interests. There are beautiful tide, lakes and rivers. To the south of city, there are the revolutionary saint place of South Lake and other places like Xitang-living ancient town of thousands of years; 9 dragon sea shore of the south east coast of Pinghu, which is called the .Oriental Hawaii; south and north lake of Haiyan, which is famous for a truly water and mountain; Qiantang river tide, a wonder of Haining; Wu Zhen, the birth place of Maon in Tongxiang. In addition, there are more than 130 county level culture relics protection places.

In 2002, the tourism instry of the city saw a sustained increase by receiving overseas guests of 224,300, which is 133.3% higher than that of last year; receiving domestic guest of 8.59 million, which is 21.5% higher than that of last year.

Jiaxing has passed the evaluation of the state tourism bureau and becomes an excellent tourist city in China

④ 求淮安旅遊景點的中，英文介紹，越多越好，謝了。

漕運府衙，漕運博物館，韓侯祠（韓信故居），周恩來故居，周恩來紀念館，關天培故居，東岳廟，勺湖公園，河下古鎮，劉鶚（老殘游記作者）故居，還有還有·····絕對正宗的淮揚美食······· 周恩來紀念館，童年讀書處，故居，吳承恩故居，韓信故里，河下古鎮，關天培故居，清晏園，明祖陵，第一山，鐵山寺，天泉湖，缽池山，漕運博物館，淮揚菜博物館，櫻花園，柳樹灣，

⑤ 一篇介紹景點的英文作文

China's largest island is also its smallest province, and an equally small population gives the place a much less hectic feel.

Hainan Dao (Hainan Island) tempts with all the trappings of a tropical idyll and the central highlands, with their thick canopies of forest, offer superb - if challenging - hiking. Listen not to those who grouse about tour groups crowding their stretch of beach: there's much that's unexplored here.

Hainan's climate is far more temperate than the rest of China. Even in winter, average temperatures of 21° (69.8°F) prevail; the yearly average is 25.4°C (77.7°F). From as early as March through November, the weather becomes hot and humid. Typhoons usually descend on the island between May and October, and can cripple all transport and communication with the mainlan

⑥ 羅馬景點的英文介紹

競技場 (The Colosseum or Coliseum)
The Colosseum or Coliseum, originally the Flavian Amphitheatre (Latin: Amphitheatrum Flavium, Italian Anfiteatro Flavio or Colosseo), is an elliptical amphitheatre in the centre of the city of Rome, Italy, the largest ever built in the Roman Empire. It is one of the greatest works of Roman architecture and engineering.

Occupying a site just east of the Roman Forum, its construction started between 70 and 72 AD under the emperor Vespasian and was completed in 80 AD under Titus, with further modifications being made ring Domitian's reign (81–96).[1] The name "Amphitheatrum Flavium" derives from both Vespasian's and Titus' family name ("Flavius, from the gens Flavia).

Originally capable of seating around 50,000 spectators, the Colosseum was used for gladiatorial contests and public spectacles. It remained in use for nearly 500 years with the last recorded games being held there as late as the 6th century – well after the traditional date of the fall of Rome in 476. As well as the traditional gladiatorial games, many other public spectacles were held there, such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building eventually ceased to be used for entertainment in the early medieval era. It was later reused for such varied purposes as housing, workshops, quarters for a religious order, a fortress, a quarry and a Christian shrine.

Although it is now in a ruined condition e to damage caused by earthquakes and stone-robbers, the Colosseum has long been seen as an iconic symbol of Imperial Rome. Today it is one of modern Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torchlit "Way of the Cross" procession to the amphitheatre.

The Colosseum is also depicted on the Italian version of the five euro-cent coin.

The Colosseum's original Latin name was Amphitheatrum Flavium, often anglicized as Flavian Amphitheater. The building was constructed by emperors of the Flavian dynasty, hence its original name.[2] This name is still used frequently in modern English, but it is generally unknown.

The name Colosseum has long been believed to be derived from a colossal statue of Nero nearby.[1] This statue was later remodeled by Nero's successors into the likeness of Helios (Sol) or Apollo, the sun god, by adding the appropriate solar crown. Nero's head was also replaced several times and substituted with the heads of succeeding emperors. Despite its pagan links, the statue remained standing well into the medieval era and was credited with magical powers. It came to be seen as an iconic symbol of the permanence of Rome.

In the 8th century, the Venerable Bede (c. 672–735) wrote a famous epigram celebrating the symbolic significance of the statue: Quandiu stabit coliseus, stabit et Roma; quando cadit coliseus, cadet et Roma; quando cadet Roma, cadet et muns ("as long as the Colossus stands, so shall Rome; when the Colossus falls, Rome shall fall; when Rome falls, so falls the world").[3] This is often mistranslated to refer to the Colosseum rather than the Colossus (as in, for instance, Byron's poem Childe Harold's Pilgrimage). However, at the time that Bede wrote, the masculine noun coliseus was applied to the statue rather than to what was still known as the Flavian amphitheatre.

The Colossus did eventually fall, probably being pulled down to reuse its bronze. By the year 1000 the name "Colosseum" (a neuter noun) had been coined to refer to the amphitheatre. The statue itself was largely forgotten and only its base survives, situated between the Colosseum and the nearby Temple of Venus and Roma.[4]

The name was further corrupted to Coliseum ring the Middle Ages. In Italy, the amphitheatre is still known as il Colosseo, and other Romance languages have come to use similar forms such as le Colisée (French), el Coliseo (Spanish) and o Coliseu (Portuguese).

Construction of the Colosseum began under the rule of the Emperor Vespasian[1] in around 70–72. The site chosen was a flat area on the floor of a low valley between the Caelian, Esquiline and Palatine Hills, through which a canalised stream ran. By the 2nd century BC the area was densely inhabited. It was devastated by the Great Fire of Rome in AD 64, following which Nero seized much of the area to add to his personal domain. He built the grandiose Domus Aurea on the site, in front of which he created an artificial lake surrounded by pavillions, gardens and porticoes. The existing Aqua Claudia aquect was extended to supply water to the area and the gigantic bronze Colossus of Nero was set up nearby at the entrance to the Domus Aurea.[4]

The area was transformed under Vespasian and his successors. Although the Colossus was preserved, much of the Domus Aurea was torn down. The lake was filled in and the land reused as the location for the new Flavian Amphitheatre. Gladiatorial schools and other support buildings were constructed nearby within the former grounds of the Domus Aurea. According to a reconstructed inscription found on the site, "the emperor Vespasian ordered this new amphitheatre to be erected from his general's share of the booty." This is thought to refer to the vast quantity of treasure seized by the Romans following their victory in the Great Jewish Revolt in 70. The Colosseum can be thus interpreted as a great triumphal monument built in the Roman tradition of celebrating great victories.[4] Vespasian's decision to build the Colosseum on the site of Nero's lake can also be seen as a populist gesture of returning to the people an area of the city which Nero had appropriated for his own use. In contrast to many other amphitheatres, which were located on the outskirts of a city, the Colosseum was constructed in the city centre; in effect, placing it both literally and symbolically at the heart of Rome.

The Colosseum had been completed up to the third story by the time of Vespasian's death in 79. The top level was finished and the building inaugurated by his son, Titus, in 80.[1] Dio Cassius recounts that over 9,000 wild animals were killed ring the inaugural games of the amphitheatre. The building was remodelled further under Vespasian's younger son, the newly-designated Emperor Domitian, who constructed the hypogeum, a series of underground tunnels used to house animals and slaves. He also added a gallery to the top of the Colosseum to increase its seating capacity.

In 217, the Colosseum was badly damaged by a major fire (caused by lightning, according to Dio Cassius[5]) which destroyed the wooden upper levels of the amphitheatre's interior. It was not fully repaired until about 240 and underwent further repairs in 250 or 252 and again in 320. An inscription records the restoration of various parts of the Colosseum under Theodosius II and Valentinian III (reigned 425–450), possibly to repair damage caused by a major earthquake in 443; more work followed in 484 and 508. The arena continued to be used for contests well into the 6th century, with gladiatorial fights last mentioned around 435. Animal hunts continued until at least 523.[4]

Medieval

Map of medieval Rome depicting the ColosseumThe Colosseum underwent several radical changes of use ring the medieval period. By the late 6th century a small church had been built into the structure of the amphitheatre, though this apparently did not confer any particular religious significance on the building as a whole. The arena was converted into a cemetery. The numerous vaulted spaces in the arcades under the seating were converted into housing and workshops, and are recorded as still being rented out as late as the 12th century. Around 1200 the Frangipani family took over the Colosseum and fortified it, apparently using it as a castle.

Severe damage was inflicted on the Colosseum by the great earthquake of 1349, causing the outer south side to collapse. Much of the tumbled stone was reused to build palaces, churches, hospitals and other buildings elsewhere in Rome. A religious order moved into the northern third of the Colosseum in the mid-14th century and continued to inhabit it until as late as the early 19th century. The interior of the amphitheatre was extensively stripped of stone, which was reused elsewhere, or (in the case of the marble facade) was burned to make quicklime.[4] The bronze clamps which held the stonework together were pried or hacked out of the walls, leaving numerous pockmarks which still scar the building today.

Exterior

The exterior of the Colosseum, showing the partially intact outer wall (left) and the mostly intact inner wall (right)
Original façade of the Colosseum
Entrance LII of the Colosseum, with Roman numerals still visibleUnlike earlier amphitheatres that were built into hillsides, the Colosseum is an entirely free-standing structure. It is elliptical in plan and is 189 metres (615 ft / 640 Roman feet) long, and 156 metres (510 ft / 528 Roman feet) wide, with a base area of 6 acres. The height of the outer wall is 48 metres (157 ft / 165 Roman feet). The perimeter originally measured 545 metres (1,788 ft / 1,835 Roman feet). The central arena is an oval (287 ft) long and (180 ft) wide, surrounded by a wall (15 ft) high, above which rose tiers of seating.

The outer wall is estimated to have required over 100,000 cubic meters (131,000 cu yd) of travertine stone which were set without mortar held together by 300 tons of iron clamps.[4] However, it has suffered extensive damage over the centuries, with large segments having collapsed following earthquakes. The north side of the perimeter wall is still standing; the distinctive triangular brick wedges at each end are modern additions, having been constructed in the early 19th century to shore up the wall. The remainder of the present-day exterior of the Colosseum is in fact the original interior wall.

The surviving part of the outer wall's monumental façade comprises three stories of superimposed arcades surmounted by a podium on which stands a tall attic, both of which are pierced by windows interspersed at regular intervals. The arcades are framed by half-columns of the Doric, Ionic, and Corinthian orders, while the attic is decorated with Corinthian pilasters.[11] Each of the arches in the second- and third-floor arcades framed statues, probably honoring divinities and other figures from Classical mythology.

Two hundred and forty mast corbels were positioned around the top of the attic. They originally supported a retractable awning, known as the velarium, that kept the sun and rain off spectators. This consisted of a canvas-covered, net-like structure made of ropes, with a hole in the center.[1] It covered two-thirds of the arena, and sloped down towards the center to catch the wind and provide a breeze for the audience. Sailors, specially enlisted from the Roman naval headquarters at Misenum and housed in the nearby Castra Misenatium, were used to work the velarium.[12]

The Colosseum's huge crowd capacity made it essential that the venue could be filled or evacuated quickly. Its architects adopted solutions very similar to those used in modern stadiums to deal with the same problem. The amphitheatre was ringed by eighty entrances at ground level, 76 of which were used by ordinary spectators.[1] Each entrance and exit was numbered, as was each staircase. The northern main entrance was reserved for the Roman Emperor and his aides, whilst the other three axial entrances were most likely used by the elite. All four axial entrances were richly decorated with painted stucco reliefs, of which fragments survive. Many of the original outer entrances have disappeared with the collapse of the perimeter wall, but entrances XXIII to LIV still survive.[4]

Spectators were given tickets in the form of numbered pottery shards, which directed them to the appropriate section and row. They accessed their seats via vomitoria (singular vomitorium), passageways that opened into a tier of seats from below or behind. These quickly dispersed people into their seats and, upon conclusion of the event or in an emergency evacuation, could permit their exit within only a few minutes. The name vomitoria derived from the Latin word for a rapid discharge, from which English derives the word vomit.
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許願池(Fontana di Trevi)
The Trevi Fountain (Italian: Fontana di Trevi) is the largest — standing 25.9 meters (85 feet) high and 19.8 meters (65 feet) wide — and most ambitious of the Baroque fountains of Rome. It is located in the rione of Trevi.

The fountain at the juncture of three roads (tre vie) marks the terminal point of the "modern" Acqua Vergine, the revivified Aqua Virgo, one of the ancient aquects that supplied water to ancient Rome. In 19 BC, supposedly with the help of a virgin, Roman technicians located a source of pure water some 13 km (8 miles) from the city. (This scene is presented on the present fountain's facade). However, the eventual indirect route of the aquect made its length some 22 km (14 miles). This Aqua Virgo led the water into the Baths of Agrippa. It served Rome for more than four hundred years. The "coup de grace" for the urban life of late classical Rome came when the Goth besiegers in 537/38 broke the aquects. Medieval Romans were reced to drawing water from polluted wells and the Tiber River, which was also used as a sewer.

The Roman custom of building a handsome fountain at the endpoint of an aquect that brought water to Rome was revived in the fifteenth century, with the Renaissance. In 1453, Pope Nicholas V finished mending the Acqua Vergine aquect and built a simple basin, designed by the humanist architect Leon Battista Alberti, to herald the water's arrival.

[edit] The present fountain

[edit] Commission, construction and design
In 1629 Pope Urban VIII, finding the earlier fountain insufficiently dramatic, asked Bernini to sketch possible renovations, but when the Pope died the project was abandoned. Bernini's lasting contribution was to resite the fountain from the other side of the square to face the Quirinal Palace (so the Pope could look down and enjoy it). Though Bernini's project was torn down for Salvi's fountain, there are many Bernini touches in the fountain as it was built. An early, striking and influential model by Pietro da Cortona also exists.

Competitions had become the rage ring the Baroque era to design buildings, fountains, and even the Spanish Steps. In 1730 Pope Clement XII organized a contest in which Nicola Salvi initially lost to Alessandro Galilei — but e to the outcry in Rome over the fact that a Florentine won, Salvi was awarded the commission anyway.[1] Work began in 1732, and the fountain was completed in 1762, long after Clement's death, when Pietro Bracci's 'Neptune' was set in the central niche.

Salvi died in 1751, with his work half-finished, but before he went he made sure a stubborn barber's unsightly sign would not spoil the ensemble, hiding it behind a sculpted vase. The Trevi Fountain was finished in 1762 by Giuseppe Pannini, who substituted the present bland allegories for planned sculptures of Agrippa and "Trivia", the Roman virgin.

[edit] Restoration
The fountain was refurbished in 1998; the stonework was scrubbed and the fountain provided with recirculating pumps.

[edit] Iconography
The backdrop for the fountain is the Palazzo Poli, given a new facade with a giant order of Corinthian pilasters that link the two main stories. Taming of the waters is the theme of the gigantic scheme that tumbles forward, mixing water and rockwork, and filling the small square. Tritons guide Neptune's shell chariot, taming seahorses (hippocamps).

In the center is superimposed a robustly modelled triumphal arch. The center niche or exedra framing Neptune has free-standing columns for maximal light-and-shade. In the niches flanking Neptune, Abundance spills water from her urn and Salubrity holds a cup from which a snake drinks. Above, bas reliefs illustrate the Roman origin of the aquects.

The tritons and horses provide symmetrical balance, with the maximum contrast in their mood and poses (by 1730, the rococo is already in full bloom in France and Germany).

[edit] Coin throwing
A traditional legend holds that if visitors throw a coin into the fountain, they are ensured a return to Rome. Among those who are unaware that the "three coins" of Three Coins in the Fountain were thrown by three different indivials, a reported current interpretation is that two coins will ensure a marriage will occur soon, while three coins leads to a divorce. A reported current version of this legend is that it is lucky to throw three coins with one's right hand over one's left shoulder into the Trevi Fountain.

Approximately 3,000 Euros are thrown into the fountain each day and are collected at night. The money has been used to subsidize a supermarket for Rome's needy. However, there are regular attempts to steal coins from the fountain, including some using a magnetized pole.

⑦ 用英語介紹旅遊景點

寫作思路：確立中心，圍繞選材，確定重點，安排詳略，選材時要注意緊緊圍繞文章的中心思想，選擇真實可信、新鮮有趣的材料，以使文章中心思想鮮明、深刻地表現出來。

greatest building project in human history of civilization.

中國的長城是人類文明史中最偉大的建築工程。

It was built in Spring and Autumn period ，Warring states times, two thousand years ago.

長城建造於兩千年前的春秋戰國時代。

After the Qin state unified China. The chinese people connected the Great wall of various states.

秦國統一中國後，中國人把各個戰國的長城連接起來。

Two generations of wise people have constructed The Great Wall intensively. Vast its project. It looks like rainbow rolling forward. It was possible to be called world miracle.

聰明的兩代人曾經密集地建造長城，擴展了它的工程. 它看起來象彩虹，滾滾向前. 它有可能被稱作世界奇跡。

It is the must for chinese people. When you repair Great Wall's ruins in offical days.

You will not only could witness Great Wall's apparance that meandered in the hills and high moutains , but could also understand the chinese nation creation history , great wisdom and courage of chinese people. In December 1987, Great Wall was included in 『』World heritage Name list『』.

它是中國必須付出的代價，當你在正式的場合下，在廢墟中修建長城，你不僅會見證它在高山和峻嶺中婉延曲折的情景， 也會了解中華民族的創造歷史以及中國人的勇氣和智慧，在1987年12月，長城被歸錄在『』世界遺產名錄"中。

⑧ 現在急需以下幾個景點的英文介紹！

義大利比薩斜塔修建於1173年，由著名建築師那諾·皮薩諾主持修建。它位於羅馬式大教堂後面右側，是比薩城的標志。開始時，塔高設計為100米左右，但動工五六年後，塔身從三層開始傾斜，直到完工還在持續傾斜，在其關閉之前，塔頂已南傾(即塔頂偏離垂直線)3.5米。1990年，義大利政府將其關閉，開始進行整修。

在實際工作中，許多有關專家對比薩斜塔的全部歷史以及塔的建築材料、結構、地質、水源等方面進行充分的研究，並採用各種先進的儀器設備進行測試。比薩中古史學家皮洛迪教授研究後認為，建造塔身的每一塊石磚都是一塊石雕佳品，石磚與石磚間的粘合極為巧妙，有效地防止了塔身傾斜引起的斷裂，成為斜塔斜而不倒的一個因素。但他仍強調指出，現在當務之急是弄清比薩斜塔斜而不倒的奧妙。

從事觀測該塔的專家蓋里教授根據比薩斜塔近幾年來傾斜的速度推測出，斜塔將於250年後因塔身的重心超出塔基外緣而傾倒。但是公共事務部比薩斜塔服務局的有關人員，針對蓋里教授的看法提出了反駁，認為只按數學方式推算是不可靠的，比薩斜塔是「一個由多種事實交織成的綜合性問題」。另一些研究者調查發現比薩斜塔塔身曾一度向東傾斜，爾後又轉向南傾斜，他們同樣認為該塔在過去幾百年間斜而不倒，250年後倒與不倒恐怕不能局限於簡單的假設和預測。

當然，最關心斜塔命運的自然是比薩人，盡管他們也對斜塔的傾斜感到擔憂，但更多的是驕傲和自豪，為自己的故鄉擁有一個自認為可與世界上著名建築媲美的斜塔而感到自豪。他們堅信它不會倒下，他們有這樣一句俗語，比薩塔像比薩人一樣健壯結實，永遠不會倒下去。他們對那些把斜塔重新糾正豎直的建議最為深惡痛絕。如1934年，在地基及四周噴入90噸水泥，實施基礎防水工程，塔身反而更加不穩，向周圍移動，傾斜得更快。

人們目前還難以預言比薩斜塔今後的命運，但仍感嘆它斜而不倒的壯觀景象。

⑨ 介紹著名景點英文版

Summer Palace
Summer Palace is one of the biggest and beautiful royal garden. It is also one of the royal heritage which is kept well. It was established in1764,and has290 hectare. During Summer, the Emperor will go there for relax, to avoid the high temperature in the Forbidden City. In the Summer Palace ,it has a Kunming lake and Longevity Hill. We can veiling a boat in the Kunming Lake, or climb the Longevity Hill to visit the Chinese temple which on the mountain.
It is a nice place for us to visit and tdce rest.

⑩ 旅遊景點英文介紹，最好是內蒙古的

走進內蒙古
內蒙古擁有奇特的自然風光和悠久的歷史文化，旅遊資源十分豐富。名勝古跡有四大類別，即陵園古墓、古城遺址、寺廟古塔以及革命家、革命活動遺址。內蒙古的自然景觀有：呼倫貝爾大草原、錫林郭勒大草原、大興安嶺原始森林。內蒙古交通已形成了以首府呼和浩特市為中心的鐵路、公路、民航組成的綜合交通運輸網路。主要鐵路干線有京包線、京通線、包蘭線、濱洲線、集二線；由於該區城市少而分散，地勢平坦，因此適宜發展公路交通。內蒙古公路網以國道為骨幹，干支線相結合，溝通各盟市旗縣的交通網路。內蒙古住宿，旅遊住宿以農家樂、蒙古包形式為主，賓館酒店也一應俱全。 內蒙古是清朝內扎克蒙古的簡稱，位於中國北部邊疆，西北緊鄰蒙古和俄羅斯。面積118萬平方公里，是我國跨經度最大的省份。內蒙古人口以蒙古族和漢族數量最多，此外，還有朝鮮、回、滿、達斡爾、鄂溫克、鄂倫春等民族。全區分設9個轄地級市,3個盟；其下又轄12縣級市、17縣、49旗、3自治旗。首府呼和浩特市。包頭、赤峰、烏蘭浩特、烏蘭察布、烏海、呼倫貝爾、通遼、鄂爾多斯等為自治區內主要城市。 內蒙古地理位置的特殊性決定了當地旅遊資源的豐富多樣。大面積的草原和沙漠是內蒙古最吸引人的獨特的自然風光。其北部草原居全國牧場之首，呼倫貝爾大草原、中部的錫林郭勒草原、希拉穆仁草原都是感受草原風光的好去處。內蒙古的沙漠主要分布在西部地區，比較著名的有巴丹吉林沙漠、騰格里沙漠、庫布齊沙漠的響沙灣等。而以蒙古族為主體的民族風情更為內蒙古草原增添了淳樸自然的神韻。 內蒙古的主要山脈有大興安嶺、賀蘭山、烏拉山和大青山。還有呼倫湖、貝爾湖等著名湖泊，黃河流經本區西南部。 內蒙古還是「一代天驕」成吉思汗的故鄉，境內有不少的名勝古跡，如成吉思汗陵、昭君墓、五當召、席力圖召等。 「金杯、銀杯斟滿灑，雙手舉過頭；炒米、奶茶、手扒肉，請你吃個夠。」這首祝酒歌，是對蒙古族飲食文化的精確概括。
最佳季節：5月-9月是去內蒙古旅遊的最佳時間，因為內蒙古總體上為半乾旱半濕潤的溫帶季風氣候，但全區跨越經度大，東西部氣候存在一定的差異，考慮到此種差異，針對不同的目的地應有選擇不同的時節出遊，具體來說： 1、東部草原區。草原的春夏秋三季幾乎相連在一起，因此5-9月間氣候溫和，清朗涼爽，十分適合出遊。其中一年一度的「那達慕」大會在7-9月舉行。 2、東部森林區。金秋時節去阿爾山的大興安嶺林海，層林盡染，色彩斑斕，宛若油畫，美不勝收。當然若是不畏嚴寒也可考慮冬季去一覽林海雪原。 3、西部戈壁沙漠區。去西部的沙漠區最好選擇秋季，也就是8-10月，秋天的大漠跌落在一望無際的暗金色迷霧里，偶爾有點點綠洲和神秘的海市蜃樓，展現著沙漠的奇美瑰麗。此外，額濟納的胡楊林也是在金秋時節最有韻味。
建議遊玩：5-8天